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Mark Platts’ influential first book “Ways of Meaning” argued within the context of the philosophy of language that a realist’ account of moral thought was possible. “Moral Realities” defends the same possibility from the perspective of the philosophy of psychology. “Moral Realities” engages the classical moral philosophies of Hume, Mandeville and Nietzsche, and tackles the powerful arguments of the contemporary moral relativists. Platts uses an existing critique of philosophical notions of desire and value to present a descriptive metaphysics of morals–clarifying both what morality is and what it is not. He also employs a classification of desire that articulates a general theory of value and valuing which is distinguished by a cognitive approach given to certain kinds of moral valuing. The possibility of applying this approach to moral valuings is defended against the persuasive criticisms of both the Humean subjectivist and the contemporary moral relativist. This is a challenging book which illuminates many of the major issues of contemporary moral philosophy including: the practical nature of moral thought, free will and choice, morality and religious belief, and the pragmatics of moral discourse.
Many words and expressions are viewed as ‘taboo’, such as those used to describe sex, our bodies and their functions, and those used to insult other people. This book provides a fascinating insight into taboo language and its role in everyday life. It looks at the ways we use language to be polite or impolite, politically correct or offensive, depending on whether we are ‘sweet-talking’, ‘straight-talking’ or being deliberately rude. Using a range of colourful examples, it shows how we use language playfully and figuratively in order to swear, to insult, and also to be politically correct, and what our motivations are for doing so. It goes on to examine the differences between institutionalized censorship and the ways individuals censor their own language. Lively and revealing, Forbidden Words will fascinate anyone who is interested in how and why we use and avoid taboos in daily conversation.
The book is a critical review of accountability conducted under the authority of the United Nations Security Council, by the International Criminal Tribunal for Rwanda (ICTR), and the United Nations Transitional Administration in East Timor (UNTAET). It is centred on two case studies: the 1999 events in Rwanda, which constituted genocide, “the crime of crimes”, and the 1999 mayhem in East Timor. The books subjects to testing cross-examination tools to hold accountable persons with “the greatest responsibility” for serious international humanitarian law violations.A detailed expose is made of conspiracy to commit genocide. Comparison is also made whether joint criminal enterprise, and the forms of co-perpetration embodied in the Statute of the International Criminal Court provide effective alternatives in the case of atrocity crimes. A unique aspect of the book is its high-light of lessons learn in prosecution strategies; approaches in profiling perpetrators, particularly those with the highest level of responsibility for international humanitarian law violations; victor’s justice; superior responsibility; guilty pleas, and the effectiveness of the East Timor and the Indonesian Ad Hoc Human Rights Court processes. In the final analysis, the book offers a Matrix on Accountability.
What was the ethical perspective of Modernist literature? How did Yeats, Eliot, Joyce, Woolf, and Beckett represent ethical issues and develop their moral ideas? Lee Oser argues that thinking about human nature restores a perspective on modernist literature that has been lost. He offers detailed discussions of the relationship between ethics and aesthetics to illuminate close readings of major modernist texts. For Oser, the reception of Aristotle is crucial to the modernist moral project, which he defines as the effort to transform human nature through the use of art. Exploring the origins of that project, its success in modernism, its critical heirs, and its possible future, The Ethics of Modernism brings a fresh perspective on modernist literature and its interaction with ethical strands of philosophy. It offers many new insights to scholars of twentieth-century literature as well as intellectual historians.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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