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This book explores the historical and contemporary relationships of Protestant Puritanism to political and social authoritarianism. It focuses on Puritanism’s original, subsequent and modern influences on and legacies in political democracy and civil society within historically Puritan Western societies, with emphasis on Great Britain and particularly America, from the 17th to the 21th century. The Protestant Ethic and the Spirit of Authoritarianism: Puritanism, Democracy and Society’s importance and novelty lie in its original theoretical argument and empirical demonstration that Puritanism constitutes or reproduces political-social authoritarianism rather than liberal-secular political democracy and free civil society, contrary to the conventional wisdom in Puritan societies, especially America. The book’s methodological approach is thoroughly interdisciplinary by integrating methods, theories and data in sociology with those in other social sciences such as political science, history and economics. In addition, the book uses a comparative-historical method through comparisons of Western (and other) societies at various points of history in terms of the impact of Puritanism on authoritarianism.
What happens when we engage with fictional characters? How do our imaginative engagements bear on our actions in the wider world? Moving between the literary and the philosophical, Sophie Ratcliffe onsiders the ways in which readers feel when they read, and how they understand ideas of feeling. On Sympathy uses dramatic monologues based on The Tempest as its focus, and broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification and sympathy, and asks why the idea of sympathy has been seen as so important to liberal humanist theories of literary value. Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare’s late play, offer new readings of some major works, while the book’s epilogue tackles questions of contemporary sympathy. Ranging from the nineteenth century to the present day, this important new study sets out to clarify and challenge current assumptions about reading and sympathetic belief, shedding new light on the idea and ideal of sympathy, the workings of affect and allusion, and the ethics of reading.
This work returns to the 19th century tradition of a moral or ethical criticism in the context of important new thinking in the field of ethics and moral philosophy. “Shakespeare and Moral Agency” presents a collection of new essays by literary and philosophy scholars considering character and action in Shakespeare’s plays as heuristic models for the exploration of some salient problems in the field of moral inquiry. Together they offer a unified presentation of an emerging orientation in Shakespeare studies, drawing on recent work in ethics, philosophy of mind, and analytic aesthetics to construct a powerful framework for the critical analysis of Shakespeare’s works. Contributors suggest new possibilities for the interpretation of Shakespearean drama by engaging with the rich body of contemporary work in the field of moral philosophy, offering significant insights for literary criticism, for pedagogy, and also for theatrical performance. This title is part of major scholarly research monographs in “Shakespeare Studies from Continuum”.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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