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بایگانی‌های BJ1275 .A84 2005 - خانه اخلاق پژوهان جوان
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Practical Ethics

by Henry Sidgwick

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Subject: Applied Ethics, Conduct Of Life, Ethics,

A classic work in the field of practical and professional ethics, this collection of nine essays by English philosopher and educator Henry Sidgwick (1838-1900) was first published in 1898 and forms a vital complement to Sidgwick’s major treatise on moral theory, The Methods of Ethics. Reissued here as Volume One in a new series sponsored by the Association for Practical and Professional Ethics, the book is composed chiefly of addresses to members of two ethical societies that Sidgwick helped to found in Cambridge and London in the 1880s. Clear, taut, and lively, these essays demonstrate the compassion and calm reasonableness that Sidgwick brought to all his writings. As Sidgwick explains in his opening essay, the societies he addressed aimed to allow academics, professionals, and others to pursue joint efforts at reaching “some results of value for practical guidance and life.” Sidgwick hoped that members might discuss such questions as when, if ever, public officials might be justified in lying or in breaking promises, whether scientists could legitimately inflict suffering on animals for research purposes, when nations might have just cause in going to war, and a score of other issues of ethics in public and private life still debated a century later. This valuable reissue returns Practical Ethics to its rightful place in Sidgwick’s oeuvre. Noted ethicist Sissela Bok provides a superb Introduction, ranging over the course of Sidgwick’s life and career and underscoring the relevance of Practical Ethics to contemporary debate. She writes: “Practical Ethics, the last book that Henry Sidgwick published before his death in 1900, contains the distillation of a lifetime of reflection on ethics and on what it would take for ethical debate to be ‘really of use in the solution of practical questions.'” This rich, engaging work is essential reading for all concerned with the relationship between ethical theory and. practice, and with the questions that have driven the study of professional ethics in recent years.

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Moral Relativism

by Neil Levy

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Subject: Ethical Relativism, Philosophy / Ethics & Moral Philosophy, Philosophy / General, Philosophy / Movements / General,

On September 11 2001, thousands of people died in the attacks on the Unitedtates. How could this act of terror be justified? A young man kills hisister to protect his family’s honour. How could this be “right”?;These areust two of the questions tackled by Neil Levy in this guide to thehilosophy of moral relativism – the idea that concepts of “rightness” and “rongness” vary from culture to culture and that there is no such thing as anbsolute moral code. Opening with a comprehensive definition to thisontroversial theory, the book examines all the arguments for and againstoral relativism, from its implications for ethics to the role of humaniology and the difficulty of separating cultural values from innateehaviour. The author draws on case studies from sources as diverse as theztecs and the Australian aboriginals to illustrate debates such as: can wever have a shared morality?; can concepts of “rightness” and “wrongness”ver be absolute?; does moral relativism pose a threat to human rights?;oncluding with a proposal for a more modest form of relativism, and

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Bioethics and biosafety in biothchnology

by V. Sree Krishna

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Subject: Bioethics, Biotechnology - Patents, Biotechnology - Safety Measures,

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Ethics and Images of Pain

by Asbjorn Gronstad

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Subject: Art,

Few phenomena are as formative of our experience of the visual world as displays of suffering. But what does it mean to have an ethical experience of disturbing or traumatizing images? What kind of ethical proposition does an image of pain mobilize? How may the spectator learn from and make use of the painful image as a source of ethical reflection? Engaging with a wide range of visual media–from painting, theatre, and sculpture, to photography, film, and video–this interdisciplinary collection of essays by leading and emerging scholars of visual culture offers a reappraisal of the increasingly complex relationship between images of pain and the ethics of viewing. Ethics and Images of Pain reconsiders the persistent and ever pertinent nexus of aesthetics and ethics, the role of painful images as generators of unpredictable forms of affect, the moral transformation of spectatorship, the ambivalence of the witness and the representation of afflication as a fundamental form of our shared scopic experience. The instructive and illuminating essays in the collection introduce a phenomenological context in which to make sense of our current ecology of excruciating images, one that accentuates notions of responsibility, empathy, and imagination. Contributors trace the images of pain across a miscellany of case studies, and amongst the topics addressed are: the work of artists as disparate as Doris Salcedo, Anselm Kiefer and Bendik Riis; photographs from Abu Ghraib and Rwanda; Hollywood war films and animated documentaries; performances of self-immolations and incidents of police brutality captured on mobile phones.

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Ethics

by G.E. Moore

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Subject: Philosophy,

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