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History of Philosophy , Volume II

by Frederick Copleston

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Subject: Philosophy, Philosophy, Ancient, Philosophy, Medieval, Philosophy, Renaissance,

Conceived originally as a serious presentation of the development of philosophy for Catholic seminary students, Frederick Copleston’s nine-volume A History Of Philosophy has journeyed far beyond the modest purpose of its author to universal acclaim as the best history of philosophy in English.Copleston, an Oxford Jesuit of immense erudition who once tangled with A.J. Ayer in a fabled debate about the existence of God and the possibility of metaphysics, knew that seminary students were fed a woefully inadequate diet of theses and proofs, and that their familiarity with most of history’s great thinkers was reduced to simplistic caricatures.  Copleston set out to redress the wrong by writing a complete history of Western Philosophy, one crackling with incident and intellectual excitement – and one that gives full place to each thinker, presenting his thought in a beautifully rounded manner and showing his links to those who went before and to those who came after him.

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Aesthetics and ethics

by Jerrold Levinson

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Subject: Aesthetics, Art, Art - Moral And Ethical Aspects,

This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can art be morally enlightening and, if so, how? If a work of art is morally better does that make it better as art? Is morally deficient art to be shunned, or even censored? Do subjects of artworks have rights as to how they are represented? Do artists have duties as artists and duties as human beings, and if so, to whom? How much tension is there between the demands of art and the demands of life?

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The Second-Person Standpoint

by Stephen L. Darwall

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Subject: Authority, Ethics, Responsibility,

Why should we avoid doing moral wrong? The inability of philosophy to answer this question in a compelling manner–along with the moral skepticism and ethical confusion that ensue–result, Stephen Darwall argues, from our failure to appreciate the essentially interpersonal character of moral obligation. After showing how attempts to vindicate morality have tended to change the subject–falling back on nonmoral values or practical, first-person considerations–Darwall elaborates the interpersonal nature of moral obligations: their inherent link to our responsibilities to one another as members of the moral community.As Darwall defines it, the concept of moral obligation has an irreducibly second-person aspect; it presupposes our authority to make claims and demands on one another. And so too do many other central notions, including those of rights, the dignity of and respect for persons, and the very concept of person itself. The result is nothing less than a fundamental reorientation of moral theory that enables it at last to account for morality’s supreme authority–an account that Darwall carries from the realm of theory to the practical world of second-person attitudes, emotions, and actions.

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On War

by Orend Brian

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Subject: Peace, United States - Military Policy, War (Philosophy), War/ Moral And Ethical Aspects,

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Ethical issues in modern medicine

by John Arras

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Subject: Medical,

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