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Both scholarly and practical, this text with readings provides a clear, well-organized overview of theoretical ethics. With a contemporary tone and framework, it aims to significantly improve students’ ability to make real-life moral decisions. Multicultural coverage and attention to college students’ moral development help readers relate the material to their own experience and their own moral growth.
Are there things we should value because they are, quite simply, good? If so, such things might be said to have “absolute goodness.” They would be good simpliciter or full stop – not good for someone, not good of a kind, but nonetheless good (period). They might also be called “impersonal values.” The reason why we ought to value such things, if there are any, would merely be the fact that they are, quite simply, good things. In the twentieth century, G. E. Moore was the great champion of absolute goodness, but he is not the only philosopher who posits the existence and importance of this property. Against these friends of absolute goodness, Richard Kraut here builds on the argument he made in What is Good and Why, demonstrating that goodness is not a reason-giving property – in fact, there may be no such thing. It is, he holds, an insidious category of practical thought, because it can be and has been used to justify what is harmful and condemn what is beneficial. Impersonal value draws us away from what is good for persons. His strategy for opposing absolute goodness is to search for domains of practical reasoning in which it might be thought to be needed, and this leads him to an examination of a wide variety of moral phenomena: pleasure, knowledge, beauty, love, cruelty, suicide, future generations, bio-diversity, killing in self-defense, and the extinction of our species. Even persons, he proposes, should not be said to have absolute value. The special importance of human life rests instead on the great advantages that such lives normally offer. “When one reads this, one sees the possibility of real philosophical progress. If Kraut is right, I’d be wrong to say that this book is good, period. Or even great, period. But I will say that, as a work of philosophy, and for those who read it, it is excellent indeed.” –Russ Shafer-Landau, University of Wisconsin-Madison
This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can art be morally enlightening and, if so, how? If a work of art is morally better does that make it better as art? Is morally deficient art to be shunned, or even censored? Do subjects of artworks have rights as to how they are represented? Do artists have duties as artists and duties as human beings, and if so, to whom? How much tension is there between the demands of art and the demands of life?
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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