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This volume brings together Nussbaum’s published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms of writing usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate the relationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.
Volume 1 gives readers a deep understanding of the contribution that the ancient Greek and medieval philosophers have made to contemporary philosophical debate. From Plato to William of Ockham, the philosophical texts covered offer a remarkable insight into a world out of which our present way of thinking emerged.
The past decade has seen an explosion of writing about media ethics and accountability. Most of the work has been focused on the normative side of the subject: ethical philosophies, ethics codes, suggestions for how journalists (and other media workers) can make justifiable decisions when faced with tough ethical questions.Empirical research into media ethics and accountability, by contrast, is hard to find. Relatively little of the past decade’s work–and virtually none of the book-length treatments of the subject–focus on how media accountability works in practice. The gap in practical knowledge is somewhat puzzling, given that most faculty who teach media ethics and accountability work in academic departments that have professional training as part of their academic mission.The underlying assumption of Holding the Media Accountable is that systems of norms such as media law and journalism ethics have meaning only in the context of the actual workings of mechanisms of accountability. No other volume has adopted such an approach.
A Modern Legal Ethicsproposes a wholesale renovation of legal ethics, one that contributes to ethical thought generally.Daniel Markovits reinterprets the positive law governing lawyers to identify fidelity as its organizing ideal. Unlike ordinary loyalty, fidelity requires lawyers to repress their personal judgments concerning the truth and justice of their clients’ claims. Next, the book asks what it is like–not psychologically but ethically–to practice law subject to the self-effacement that fidelity demands. Fidelity requires lawyers to lie and to cheat on behalf of their clients. However, an ethically profound interest in integrity gives lawyers reason to resist this characterization of their conduct. Any legal ethics adequate to the complexity of lawyers’ lived experience must address the moral dilemmas immanent in this tension. The dominant approaches to legal ethics cannot. Finally,A Modern Legal Ethicsreintegrates legal ethics into political philosophy in a fashion commensurate to lawyers’ central place in political practice. Lawyerly fidelity supports the authority of adjudication and thus the broader project of political legitimacy.Throughout, the book rejects the casuistry that dominates contemporary applied ethics in favor of an interpretive method that may be mimicked in other areas. Moreover, because lawyers practice at the hinge of modern morals and politics, the book’s interpretive insights identify–in an unusually pure and intense form–the moral and political conditions of all modernity.
Ethical questions feature prominently on today’s cultural andpolitical agendas. The Ethics of Cultural Studies presents an ethicalmanifesto for Cultural Studies, an exploration of its current ethicaland political concerns, and of its future challenges.The book is concerned with ethics in the material world, and drawson examples as diverse as cloning and genetics, asylum andimmigration, experiments in plastic surgery and in electronic anddigital art, memories of the Holocaust, September 11th, and mediarepresentations of violence and crime.The Ethics of Cultural Studies is a groundbreaking intervention thatsets the debate on ethics in cultural study, and offers an invaluablesource of ideas for students of contemporary culture.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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