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The Ethics of Aesthetics in Japanese Cinema and Literatureis a study of the ethics of modern Japanese aesthetics from the 1930s, through WWII and into the postwar period. What makes this book unique is that Nina Cornyetz opens up the field in new and controversial ways by exploring the tensions and harmonies between psychoanalytic ethics of the drive and socio-political ethics of relation to the other. Rejecting the convention of viewing these as contradictory, Cornyetz insists that the exemplars of psychoanalytic ethics are to the contrary, simultaneously politically ethical. Cornyetz embarks on innovative and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, including works by Kawabata Yasunari, Mishima Yukio, Abe Kôbô and Shinoda Masahiro, all renowned for their texts’ aesthetic and philosophic brilliance. The study looks at how relations between individuals and communities in these texts either reiterate or transcend stereotypes, andhow desire is or is not limited by sociocultural norms. Cornyetz argues that these authors’ and filmmakers’ concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Ranging from a discussion of fascist aesthetics to heterosexism in modern Japan,The Ethics of Aesthetics in Japanese Cinema and Literatureshows how certain changing political, intellectual and artistic issues, as well as sociocultural norms, variously nuanced these texts’ depictions of desire and the ‘other’. Through her analysis of cultural texts such as the filmsWoman in the DunesandDouble Suicide, Cornyetz challenges the convention that praises the universality of their artistic, existential or intellectual achievements. Rather she seeks to reorient these within a specifically Japanese historical context to give a new and insightful interpretation to the work. This ground breaking study is truly interdisciplinary and will appeal to students and scholars of Japaneseliterature, film, gender, culture, history and even psychoanalytic theory.
This book is the first broad history of the growing field of bioethics. Covering the period 1947-1987, it examines the origin and evolution of the debates over human experimentation, genetic engineering, organ transplantation, termination of life-sustaining treatment, and new reproductivetechnologies. It assesses the contributions of philosophy, theology, law and the social sciences to the expanding discourse of bioethics. Written by one of the field’s founders, it is based on extensive archival research into resources that are difficult to obtain and on interviews with manyleading figures. A very readable account of the development of bioethics, the book stresses the history of ideas but does not neglect the social and cultural context and the people involved.
Before his death in 2003, Bernard Williams planned to publish a collection of historical essays, focusing primarily on the ancient world. This posthumous volume brings together a much wider selection, written over some forty years. His legacy lives on in this masterful work, the first collection ever published of Williams’s essays on the history of philosophy. The subjects range from the sixth century B.C. to the twentieth A.D., from Homer to Wittgenstein by way of Socrates, Plato, Aristotle, Descartes, Hume, Sidgwick, Collingwood, and Nietzsche. Often one would be hard put to say which part is history, which philosophy. Both are involved throughout, because this is the history of philosophy written philosophically. Historical exposition goes hand in hand with philosophical scrutiny. Insights into the past counteract blind acceptance of present assumptions. In his touching and illuminating introduction, Myles Burnyeat writes of these essays: “They show a depth of commitment to the history of philosophy seldom to be found nowadays in a thinker so prominent on the contemporary philosophical scene.” The result celebrates the interest and importance to philosophy today of its near and distant past.The Sense of the Past is one of three collections of essays by Bernard Williams published by Princeton University Press since his death. In the Beginning Was the Deed: Realism and Moralism in Political Argument, selected, edited, and with an introduction by Geoffrey Hawthorn, and Philosophy as a Humanistic Discipline, selected, edited, and with an introduction by A. W. Moore, make up the trio.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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