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Using the theoretical approach he introduced in his acclaimed Religious Reason (Oxford, 1978), and drawing on contemporary rationalist ethical theory as well as a variety of religious traditions and issues, Ronald M. Green here provides a simple, effective model for understanding thecomplexity of religious life. He shows clearly and convincingly that the basic processes of religious reasoning are the same everywhere and that they give rise, in perfectly understandable ways, to the rich diversity of religious expression worldwide. This is a major resource for courses in thephilosophy of religion.
“Thinking Philosophically” begins by helping the reader acquire a lively sense of what philosophy is, how it began, why it persists, and how it is related to other fields of study, especially science. Readers are given three methods for thinking about and discussing philosophical problems: The Socratic Method, Running out the Permutations, Rational Dialogue. The remainder of the book explores topics and positions in the three most basic areas of philosophy: Theory of Knowledge, Theory of Value, and Metaphysics. Numerous positions are explained, defended, and then critiqued. Each critique leads to a new position which is given the same threefold treatment. This dialectical process allows the reader to move beyond solitary reflection to fruitful philosophical dialogue with others.
Taking as its point of departure the lapse of the Licensing Act 1662 in 1695, this book examines the lead up to the passage of the Statute of Anne 1709 and charts the movement of copyright law throughout the eighteenth century, culminating in the House of Lords decision in Donaldson v Becket (1774). The established reading of copyright’s development throughout this period, from the 1709 Act to the pronouncement in Donaldson, is that it was transformed from a publisher’s right to an author’s right; that is, legislation initially designed to regulate the marketplace of the bookseller and publisher evolved into an instrument that functioned to recognise the proprietary inevitability of an author’s intellectual labours. The historical narrative which unfolds within this book presents a challenge to that accepted orthodoxy. The traditional analysis of the development of copyright in eighteenth-century Britain is revealed as exhibiting the character of long-standing myth, and the centrality of the modern proprietary author as the raison d’être of the copyright regime is displaced.
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