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بایگانی‌های Oxford at The Clarendon Press - خانه اخلاق پژوهان جوان
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Unweaving the web

by Scott Gerwehr

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Subject: Deception (Military Science), Urban Warfare,

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CRITIQUE OF JUDGEMENT

by Immanuel Kant

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Subject: Aesthetics - Early Works To 1800, Judgment (Logic) - Early Works To 1800, Teleology - Early Works To 1800,

In THE CRITIQUE OF JUDGMENT (1790), Immanuel Kant (1724-1804) seeks to establish the a priori principles underlying the faculty of judgement, just as he did in his previous critiques of pure and practical reason. The first part deals with the subject of our aesthetic sensibility; we respond to certain natural phenomena as beautiful, says Kant, when we recognise in nature a harmonious order that satisfies the mind’s own need for order. The second half of the critique concentrates on the apparent teleology in nature’s design of organisms. Kant argues that our minds are inclined to see purpose and order in nature and this is the main principle underlying all of our judgements. Although this might imply a super sensible Designer, Kant insists that we cannot prove a supernatural dimension or the existence of God. Such considerations are beyond reason and are solely the province of faith.

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PHILOSOPHY OF HORROR

by Noel Carroll

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Subject: Horror Films/ History And Criticism, Horror In Literature, Horror Tales, Horror Tales/ History And Criticism,

For decades, the horror genre has been a major popular entertainment and has dominated the publishing and film industries. Yet there exists no philosophical examination of the genre – the time for its aesthetic analysis is ripe. Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a “transmedia” phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those “paradoxes of the heart” that make us want to be horrified?

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Hegel’s Theory Of Recognition

by Sybol Cook Anderson

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Subject: Ethics, Modern, Recognition (Philosophy),

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نتایج برای : Oxford at The Clarendon Press
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