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The philosophy of Albert Schweitzer has proved widely influential in modern thinking, especially in the field of ethics. His leading ethical idea can be summarized in the phrase “reverence for life” – namely, that good consists in maintaining and perfecting life, and evil consists in destroying and obstructing life. For Schweitzer, all life is sacred. Ethics thus deals with human attitudes and behavior toward all living beings. Unlike many moral philosophers, Schweitzer argues that knowledge of human nature does not provide a sufficient foundation for any adequate moral theory. That is why he bases his ethics on much broader foundations, articulated in his philosophy of civilization and the philosophy of religion. Schweitzer argues that the material aspect of our civilization has become far more important than its spiritual counterpart. Even organized religion has put itself in the service of politics and economy, thereby losing its vitality and moral authority. Schweitzer’s ethics of reverence for life, argues Predrag Cicovacki, offers a viable alternative at a time when traditional ethical theories are found inadequate. Schweitzer’s robust and un-dogmatic idealism may offer the best antidote to the prevailing relativism and nihilism of the postmodern epoch. His ethical vision directs us toward a new way of building a more just and more peaceful world. Collecting sixteen of Schweitzer’s most effective essays, this volume serves as a compelling introduction to this remarkable thinker and humanist.
Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists. While an ethics of looking is implicitly posited in most strands of cinema theory, there is no established body of work that might be called ethical film criticism. This book, therefore, redresses the reluctance of many existing works to address cinema from an explicitly ethical perspective. Readings range across popular Hollywood films such as Thelma and Louise, Alfred Hitchcock’s canonical corpus, and films from European and World cinemas, including Dreyer’s The Passion of Joan of Arc and the little-known African film Bamako. The book engages with debates concerning censorship and pornography; the ethical implications of ‘positive representation’; the ethics of making and viewing images of atrocity and suffering; and the relationship between ethics and aesthetics. Lisa Downing and Libby Saxton re-invigorate debates in film studies by foregrounding the ethical dimensions of the moving image, and create dialogues between ostensibly incompatible philosophical and political trends of thought, without seeking to reconcile their differences.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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