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Antirealist views about morality claim that moral facts or truths do not exist. Does this imply that other types of normative facts, such as epistemic facts, do not exist? The Normative Web develops a positive answer to this question. Terence Cuneo argues that moral and epistemic facts are sufficiently similar so that, if moral facts do not exist, then epistemic facts do not exist. But epistemic facts do exist: to deny their existence would commit us to an extreme version of epistemological scepticism. Therefore, Cuneo concludes, moral facts do exist. And if moral facts exist, then moral realism is true. It is sometimes said that moral realists rarely offer arguments for their position, settling instead for mere defenses of a view they find intuitively plausible. By contrast, The Normative Web provides not merely a defense of robust realism in ethics, but a positive argument for this position. In so doing, it engages with a range of antirealist positions in epistemology such as error theories, expressivist views, and reductionist views of epistemic reasons. These positions, Cuneo claims, come at a prohibitively high theoretical cost. Given this cost, it follows that realism about both epistemic and moral facts is a position that we should find highly attractive.
Bernard Williams is remembered as one of the most brilliant and original philosophers of the past fifty years. Widely respected as a moral philosopher, Williams began to write about politics in a sustained way in the early 1980s. There followed a stream of articles, lectures, and other major contributions to issues of public concern–all complemented by his many works on ethics, which have important implications for political theory.This new collection of essays, most of them previously unpublished, addresses many of the core subjects of political philosophy: justice, liberty, and equality; the nature and meaning of liberalism; toleration; power and the fear of power; democracy; and the nature of political philosophy itself. A central theme throughout is that political philosophers need to engage more directly with the realities of political life, not simply with the theories of other philosophers. Williams makes this argument in part through a searching examination of where political thinking should originate, to whom it might be addressed, and what it should deliver.Williams had intended to weave these essays into a connected narrative on political philosophy with reflections on his own experience of postwar politics. Sadly he did not live to complete it, but this book brings together many of its components. Geoffrey Hawthorn has arranged the material to resemble as closely as possible Williams’s original design and vision. He has provided both an introduction to Williams’s political philosophy and a bibliography of his formal and informal writings on politics.Those who know the work of Bernard Williams will find here the familiar hallmarks of his writing–originality, clarity, erudition, and wit. Those who are unfamiliar with, or unconvinced by, a philosophical approach to politics, will find this an engaging introduction. Both will encounter a thoroughly original voice in modern political theory and a searching approach to the shape and direction of liberal political thought in the past thirty-five years.
It is tempting to think that, if a person’s beliefs are coherent, they are also likely to be true. This truth conduciveness claim is the cornerstone of the popular coherence theory of knowledge and justification. Erik Olsson’s new book is the most extensive and detailed study of coherence and probable truth to date. Setting new standards of precision and clarity, Olsson argues that the value of coherence has been widely overestimated. Provocative and readable, Against Coherence will make stimulating reading for epistemologists and anyone with a serious interest in truth.
David Ellison’s book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison’s study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or even a reflection on time and consciousness, Ellison demonstrates that Modernist textuality is characterized by the intersection, overlapping, and crossing of aesthetic and ethical issues. Beauty and morality relate to each other as antagonists struggling for dominance within the related fields of philosophy and theory on the one hand (Kant, Kierkegaard, Nietzsche, Freud) and imaginative literature on the other (Baudelaire, Proust, Gide, Conrad, Woolf, Kafka).
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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