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بایگانی‌های 978–0–230–54558–8 - خانه اخلاق پژوهان جوان
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Ethics and Aesthetics in European Modernist Literature

by David Ellison

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Subject: Aesthetics In Literature, Ethics In Literature, Literature, Modern - 19th Century - History And Criticism, Literature, Modern - 20th Century - History And Criticism,

David Ellison’s book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison’s study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or even a reflection on time and consciousness, Ellison demonstrates that Modernist textuality is characterized by the intersection, overlapping, and crossing of aesthetic and ethical issues. Beauty and morality relate to each other as antagonists struggling for dominance within the related fields of philosophy and theory on the one hand (Kant, Kierkegaard, Nietzsche, Freud) and imaginative literature on the other (Baudelaire, Proust, Gide, Conrad, Woolf, Kafka).

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TRUTH AND FAITH IN ETHICS

by Hayden Ramsay

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Subject: Philosophy,

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God, philosophy, universities

by Alasdair C. MacIntyre

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Subject: Philosophy,

‘What does it mean to be a human being?’ Given this perennial question, Alasdair MacIntyre, one of America’s preeminent philosophers, presents a compelling argument on the necessity and importance of philosophy. Because of a need to better understand Catholic philosophical thought, especially in the context of its historical development and realizing that philosophers interact within particular social and cultural situations, MacIntyre offers this brief history of Catholic philosophy. Tracing the idea of God through different philosophers’ engagement of God and how this engagement has played out in universities, MacIntyre provides a valuable, lively, and insightful study of the disintegration of academic disciplines with knowledge. MacIntyre then demonstrates the dangerous implications of this happening and how universities can and ought to renew a shared understanding of knowledge in their mission. This engaging work will be a benefit and a delight to all readers.

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Economic Analysis of Music Copyright

by Ivan L. Pitt

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Subject: Business & Economics,

“Chris Anderson’s initial L̀ong Tail’ analysis was released in 2004 just as the wave of mergers and acquisitions was sweeping the music publishing and radio industries. Music industry executives began looking for Anderson’s L̀ong Tail’ effect and with it the implied redistribution of royalty income from popular songs to long dormant and forgotten works in their catalogs. These music publishers had hoped to further maximize the value of their copyright assets (lyrics and melody) in their existing music catalogs as the sale of compact disks diminished, and consumers switched their purchasing and listening habits to new digital formats in music technology such as the iPod.” “This book deals with the measurement of skewness, heavy tails and asymmetry in performance royalty income data in the music industry from an Economics of Art and Culture perspective. The book is divided into two parts. The first part is a general introduction to the many supply and demand economic factors that are related to music performance royalty payments. The second part is an applied econometrics section that provides modeling and in-depth analysis of income data from a songwriter, music publisher and blanket licensing perspective. The book will appeal to researchers and students in cultural economics, media and statistics as well as general readers and professionals in the music publishing industry.” “As a Senior Economist for the American Society of Composers, Authors, and Publishers (ASCAP) using both internal and licensed external proprietary data, the author found that the so-called s̀uperstar effects’ are still present in performance royalty income. Success is still concentrated on a relatively few copyright holders or members who can be grouped into h̀eavy tails’ of the empirical income distribution in a departure from Anderson’s L̀ong Tail’ analysis.”.

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