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بایگانی‌های 0-7619-6787-7 - خانه اخلاق پژوهان جوان
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The Thoreau You Don’t Know

by Robert Sullivan

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Subject: Authors, American - Biography, Naturalists - Biography. - United States,

“Thoreau is one of those authors that readers think they know, even if they don’t. He’s the solitary curmudgeon with the shack out in the woods, the mystic worshipping solemnly in the quiet church of nature. He’s our national Natural Man, the prophet of environmentalism. But here Robert Sullivan–who himself has been called an ‘urban Thoreau’ (New York Times Book Review) –presents the Thoreau you don’t know: the activist, the organizer, the gregarious adventurer, the guy who likes to go camping with friends (even if they sometimes accidentally burn the woods down). Sullivan shows us not a lonely eccentric but a man in his growing village, and argues that Walden was a book intended to revive America, a communal work forever pigeonholed as a reclusive one–and that this misreading is at the heart of our troubled relationship with the environment today.”–From publisher description.

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Moral Skepticisms

by Walter Sinnott-Armstrong

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Subject: Philosophy / Epistemology, Philosophy / Ethics & Moral Philosophy, Philosophy / General, Philosophy / Metaphysics,

Sinnott-Armstrong here provides an extensive survey of the difficult subject of moral beliefs. He covers theories that grapple with questions of morality such as naturalism, normativism, intuitionism, and coherentism. He then defends his own theory that he calls “moderate moral skepticism,” which is that moral beliefs can be justified, but not extremely justified.

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Moral Disorder

by Margaret Atwood

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Subject: Fiction / Fantasy / Short Stories, Fiction / Literary, Fiction / Short Stories, Short Stories, Canadian,

Margaret Atwood has frequently been cited as one of the foremost writers of our time. Moral Disorder, her new work of fiction, could be seen as a collection of ten stories that is almost a novel … or a novel broken up into ten stories. It resembles a photograph album – a series of clearly observed moments that trace the course of a life, and the lives intertwined with it – those of parents, siblings, children, friends, enemies, teachers and even animals. And as in a photograph album, times change; every decade is here, from the 1930s through the 50s, 60s and 70s to the present day. The settings are equally varied: large cities, suburbs, farms, northern forests. The first story, ‘The Bad News,’ is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative switches time, as the central character moves through childhood and adolescence, in ‘The Art of Cooking and Serving’, ‘The Headless Horseman’ and ‘My Last Duchess’. We follow her into young adulthood in ‘The Other Place’, and then through a complex relationship, traced in three of the stories – ‘Monopoly’, ‘Moral Disorder’ and ‘The Entities’. The last two stories, ‘The Labrador Fiasco’ and ‘The Boys at the Lab’, deal with the heartbreaking old age of parents, but circle back to childhood again, to complete the cycle. By turns funny, moving, lyrical, incisive, tragic, earthy, shocking and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and inimitable style to their best advantage. As the New York Times has said, ‘Atwood has complete access to her people’s emotional histories, complete understanding of their hearts and imaginations.’

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Ethics of Aesthetics in Japanese Cinema and Literature

by Nina Cornyetz

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Subject: Authors, Japanese, Authors, Japanese/ 20th Century/ Aesthetics, Literature And Morals,

The Ethics of Aesthetics in Japanese Cinema and Literatureis a study of the ethics of modern Japanese aesthetics from the 1930s, through WWII and into the postwar period. What makes this book unique is that Nina Cornyetz opens up the field in new and controversial ways by exploring the tensions and harmonies between psychoanalytic ethics of the drive and socio-political ethics of relation to the other. Rejecting the convention of viewing these as contradictory, Cornyetz insists that the exemplars of psychoanalytic ethics are to the contrary, simultaneously politically ethical. Cornyetz embarks on innovative and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, including works by Kawabata Yasunari, Mishima Yukio, Abe Kôbô and Shinoda Masahiro, all renowned for their texts’ aesthetic and philosophic brilliance. The study looks at how relations between individuals and communities in these texts either reiterate or transcend stereotypes, andhow desire is or is not limited by sociocultural norms. Cornyetz argues that these authors’ and filmmakers’ concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Ranging from a discussion of fascist aesthetics to heterosexism in modern Japan,The Ethics of Aesthetics in Japanese Cinema and Literatureshows how certain changing political, intellectual and artistic issues, as well as sociocultural norms, variously nuanced these texts’ depictions of desire and the ‘other’. Through her analysis of cultural texts such as the filmsWoman in the DunesandDouble Suicide, Cornyetz challenges the convention that praises the universality of their artistic, existential or intellectual achievements. Rather she seeks to reorient these within a specifically Japanese historical context to give a new and insightful interpretation to the work. This ground breaking study is truly interdisciplinary and will appeal to students and scholars of Japaneseliterature, film, gender, culture, history and even psychoanalytic theory.

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