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The past decade has seen an explosion of writing about media ethics and accountability. Most of the work has been focused on the normative side of the subject: ethical philosophies, ethics codes, suggestions for how journalists (and other media workers) can make justifiable decisions when faced with tough ethical questions.Empirical research into media ethics and accountability, by contrast, is hard to find. Relatively little of the past decade’s work–and virtually none of the book-length treatments of the subject–focus on how media accountability works in practice. The gap in practical knowledge is somewhat puzzling, given that most faculty who teach media ethics and accountability work in academic departments that have professional training as part of their academic mission.The underlying assumption of Holding the Media Accountable is that systems of norms such as media law and journalism ethics have meaning only in the context of the actual workings of mechanisms of accountability. No other volume has adopted such an approach.
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world’s literature.
Once regarded as a conservative critic of culture, then enlisted by the court theoreticians of Nazism, Nietzsche has come to be revered by postmodern thinkers as one of their founding fathers, a prophet of human liberation who revealed the perspectival character of all knowledge and broke radically with traditional forms of morality and philosophy. In Nietzsche: The Ethics of an Immoralist, Peter Berkowitz challenges this new orthodoxy, asserting that it produces a one-dimensional picture of Nietzsche’s philosophical explorations and passes by much of what is provocative and problematic in his thought. Berkowitz argues that Nietzsche’s thought is rooted in extreme and conflicting opinions about metaphysics and human nature. Discovering a deep unity in Nietzsche’s work by exploring the structure and argumentative movement of a wide range of his books, Berkowitz shows that Nietzsche is a moral and political philosopher in the Socratic sense whose governing question is, “What is the best life?” Nietzsche, Berkowitz argues, puts forward a severe and aristocratic ethics, an ethics of creativity, that demands that the few human beings who are capable acquire a fundamental understanding of and attain total mastery over the world. Following the path of Nietzsche’s thought, Berkowitz shows that this mastery, which represents a suprapolitical form of rule and entails a radical denigration of political life, is, from Nietzsche’s own perspective, neither desirable nor attainable. Out of the colorful and richly textured fabric of Nietzsche’s books, Peter Berkowitz weaves an interpretation of Nietzsche’s achievement that is at once respectful and skeptical, an interpretation that brings out the love of truth, the courage, and the yearning for the good that mark Nietzsche’s magisterial effort to live an examined life by giving an account of the best life.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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