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“Relativism is one of philosophy’s oldest — and most polarizing — concepts. It has captivated thinkers since the days of Protagoras (who supported the notion) and Plato (who did not). Relativism is assailed by popes as leading people away from absolute religious truths, and blamed by social commentators for many of society’s ills. With a few notable exceptions, 20th-century philosophers grew to dismiss relativism as an obviously mistaken or even self-refuting concept. But in the past decade, even its staunchest philosophical critics have come to realize that relativism is a legitimate option for explaining a variety of phenomena, including faultless disagreement, the utility of alternative logics, varieties of cross-cultural moralities, and differing ontological conceptual schemes. Reflecting this overdue reappraisal, A Companion to Relativism presents the latest thinking on the role of relativism in the philosophy of language, epistemology, ethics, philosophy of science, logic, and metaphysics. Original contributions to this volume feature cutting edge thinking from a variety of eminent scholars who approach relativism from various perspectives and philosophical subfields”–
This volume examines comparatively the views and principles of seven prominent ethical traditions on the issue of the making of state and national boundaries. The traditions represented are Judaism, Christianity, Islam, natural law, Confucianism, liberalism and international law. Each contributor is an expert within one of these traditions and demonstrates how that tradition can handle the five dominant methods of altering state and national boundaries: conquest, settlement, purchase, inheritance and secession. Readers range from upper-level undergraduates to scholars in philosophy, political science, international relations and comparative religion.
This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can art be morally enlightening and, if so, how? If a work of art is morally better does that make it better as art? Is morally deficient art to be shunned, or even censored? Do subjects of artworks have rights as to how they are represented? Do artists have duties as artists and duties as human beings, and if so, to whom? How much tension is there between the demands of art and the demands of life?
The Oxford Handbook of Practical Ethics is a lively and authoritative guide to current thought about ethical issues in all areas of human activity–personal, medical, sexual, social, political, judicial, and international, from the natural world to the world of business. Twenty-eight topics are covered in specially written surveys by leading figures in their fields: each gives an authoritative map of the ethical terrain, explaining how the debate has developed in recent years, engaging critically with the most notable work in the area, and pointing directions for future work. The Handbook will be essential reading, and a fascinating resource of ideas and information, for academics and students across a wide range of disciplines.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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