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Screenwriting With a Conscience: Ethics for Screenwritersis for screenwriters who care deeply about what they write; who are aware that movie images matter and can influence audiences; and who want to create meaningful screenplays that make powerful statements while entertaining and winning over audiences. A user-friendly guide to ethical screenwriting, this book makes the case that social responsibility is endemic to public art while it emphatically champions First Amendment rights and condemns censorship. In this dynamic and practical volume, author Marilyn Beker provides methods for self-assessment of values, ideas, and ethical stances, and demonstrates the application of these values to the development of plot, character, and dialogue. Screenwriters are introduced to ethical decision making models and shown–through specific film examples–how they can be utilized in plot and character development. In addition, specific techniques and exercises are supplied to help screenwriters determine the difference between “good” and “evil,” to write realistic and compelling characters based on this determination, and to present “messages” and write dialogue powerfully without preaching. This book also puts forth a livable work philosophy for dealing with the ethics of the screenwriting business, and presents a viable personal philosophy for surviving in the screenwriting world. Screenwriting With a Conscience: Ethics for Screenwritersis an indispensible, dynamic guide for the ethics-conscious screenwriter. It is intended for screenwriters at the student and professional level, and is appropriate for beginning to graduate screenwriting courses in film and English programs, and for film courses dealing with Ethics in the Media.
Bernard Williams s remarkable essay on morality confronts the problems of writing moral philosophy, and offers a stimulating alternative to more systematic accounts which seem nevertheless to have left all the important issues somewhere off the page. Williams explains, analyses and distinguishes a number of key positions, from the purely amoral to notions of subjective or relative morality, testing their coherence before going on to explore the nature of goodness in relation to responsibilities and choice, roles, standards, and human nature. The final chapters make a fascinating enquiry into what morality is about, looking beyond happiness to other human aims and ideals. This re-issue of a classic in moral philosophy includes a new foreword by the author.
Joseph Raz is one of the world’s leading philosophers of law, and in his Seeley Lectures he reflects critically on one of the central tenets of ethical thought, the view that values are universal. He concludes that we should try to understand what is and what is not entailed by the universality of values, with such an understanding central to the future hopes of mankind, rather than abandoning the belief altogether. This is a concise humane account of some fundamental questions of social existence.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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