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This ground-breaking volume considers the ethical aspects of foreign policy change through five interrelated dimensions: conceptual, security, economic, normative and diplomatic. Defining ethics and what an ethical foreign policy should be is highly contested. The book includes many very different viewpoints to reflect the strong divergence of opinion on such issues as humanitarian intervention, free trade, the doctrine of preemption, political corruption and human rights. The thematic approach provides this volume with a clear organizational structure, giving readers a balanced overview of a number of important conceptual and practical issues central to the ethical analysis of states’ conduct and foreign policy making. An impressive group of international scholars and practitioners, including a New Zealand Foreign Minister, a US National Security Advisor, and an ICJ Justice, makes this volume ideally suited to courses on international relations, security studies, ethics and human rights, philosophy, media studies and international law.
Art, Emotion, and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion, and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt’s Bathsheba and Nabokov’s Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.
The works of Paul Grice collected in this volume present his metaphysical defense of value, and represent a modern attempt to provide a metaphysical foundation for value. Value judgments are viewed as objective; value is part of the world we live in, but nonetheless is constructed by us. We inherit, or seem to inherit, the Aristotelian world in which objects and creatures are characterized in terms of what they are supposed to do. We are thereby enabled to evaluate by reference to function and finality. The most striking part of Grice’s position, however, is his contention that the legitimacy of such evaluations rests ultimately on an argument for absolute value.
The four main tenets of life are explored in this unique new book that examines the interface between psychology and management. Based on his own experiences as a clinician and psychoanalyst, the author provides insights into the issue of the life/work balance.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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