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Sullivan and Kymlicka seek to provide an alternative to post-9/11 pessimism about the ability of serious ethical dialogue to resolve disagreements and conflict across national, religious, and cultural differences. It begins by acknowledging the gravity of the problem: on our tightly interconnected planet, entire populations look for moral guidance to a variety of religious and cultural traditions, and these often stiffen, rather than soften, opposing moral perceptions. How, then, to set minimal standards for the treatment of persons while developing moral bases for coexistence and cooperation across different ethical traditions? The Globalization of Ethics argues for a tempered optimism in approaching these questions. Its distinguished contributors report on some of the most globally influential traditions of ethical thought in order to identify the resources within each tradition for working toward consensus and accommodation among the ethical traditions that shape the contemporary world.
Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists. While an ethics of looking is implicitly posited in most strands of cinema theory, there is no established body of work that might be called ethical film criticism. This book, therefore, redresses the reluctance of many existing works to address cinema from an explicitly ethical perspective. Readings range across popular Hollywood films such as Thelma and Louise, Alfred Hitchcock’s canonical corpus, and films from European and World cinemas, including Dreyer’s The Passion of Joan of Arc and the little-known African film Bamako. The book engages with debates concerning censorship and pornography; the ethical implications of ‘positive representation’; the ethics of making and viewing images of atrocity and suffering; and the relationship between ethics and aesthetics. Lisa Downing and Libby Saxton re-invigorate debates in film studies by foregrounding the ethical dimensions of the moving image, and create dialogues between ostensibly incompatible philosophical and political trends of thought, without seeking to reconcile their differences.
“Engrossing, enlightening, salted with humor, poignant, and profoundly inspiring, this memoir recounts the journey of one of the leading theologians of the Catholic Church in this country. “?Elizabeth A. Johnson, C. S. J., Distinguished Professor of Theology, Fordham University”In this memoir, the reader discovers the intellect of a scholar, the clarity of a teacher, and the heart of a pastor. With the realistic sense of history, saving sense of humor, acute intelligence, and love of the Church for which he is known, Charles Curran gives witness to the meaning and cost of being called to a stance of ‘faithful dissent.'”?Mary Catherine Hilkert, Professor of Theology, University of Notre Dame
This volume is the first collection focusing on the claim that we cannot but account for emotions if we are to understand the processes and evaluations related to empirical knowledge. All essays are specifically written for this collection by leading researchers in this relatively new and developing field, bringing together work from backgrounds such as pragmatism and skepticism, cognitive theories of emotions and cognitive science, Cartesian epistemology and virtue epistemology.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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