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In The Ethics of Romanticism Laurence Lockridge vigorously revives ethical criticism and at the same time brings to light the Romantics’ profound engagement with ethical questions. He argues that a will to value is the pervasive motive of Romantic writers from Blake, Wordsworth, Coleridge and De Quincey to Shelley, Hazlitt, Keats and Byron. They articulate a compelling ethics that has had a significant influence on modern thought. Yet its character has never before been systematically explored within the larger contexts of European thought. Lockridge argues that a focus on the ethical dimension of literature is the single most powerful strategy for structuring a writer’s work as a whole, and that it can even prove congenial. He gives original, interrelated readings of the eight major British Romantic writers. In discussing the place of ethical criticism in modern letters, he qualifies or refutes opposing views – conservative, Marxist, and deconstructive. His book gives strong evidence of one direction criticism might fruitfully take in future years.
۰۰ Unprecedented advances in medicine, genetic engineering, and demographic forecasting raise new questions that strain the categories and assumptions of traditional ethical theories. Heyd’s approach resolves many paradoxes in intergenerational justice, while offering a major test case for the profound problems of the limits of ethics and the nature of value. Unprecedented advances in medicine, genetic engineering, and demographic forecasting raise new questions that strain the categories and assumptions of traditional ethical theories. Heyd’s approach resolves many paradoxes in intergenerational justice, while offering a major test case for the profound problems of the limits of ethics and the nature of value.
Screenwriting With a Conscience: Ethics for Screenwritersis for screenwriters who care deeply about what they write; who are aware that movie images matter and can influence audiences; and who want to create meaningful screenplays that make powerful statements while entertaining and winning over audiences. A user-friendly guide to ethical screenwriting, this book makes the case that social responsibility is endemic to public art while it emphatically champions First Amendment rights and condemns censorship. In this dynamic and practical volume, author Marilyn Beker provides methods for self-assessment of values, ideas, and ethical stances, and demonstrates the application of these values to the development of plot, character, and dialogue. Screenwriters are introduced to ethical decision making models and shown–through specific film examples–how they can be utilized in plot and character development. In addition, specific techniques and exercises are supplied to help screenwriters determine the difference between “good” and “evil,” to write realistic and compelling characters based on this determination, and to present “messages” and write dialogue powerfully without preaching. This book also puts forth a livable work philosophy for dealing with the ethics of the screenwriting business, and presents a viable personal philosophy for surviving in the screenwriting world. Screenwriting With a Conscience: Ethics for Screenwritersis an indispensible, dynamic guide for the ethics-conscious screenwriter. It is intended for screenwriters at the student and professional level, and is appropriate for beginning to graduate screenwriting courses in film and English programs, and for film courses dealing with Ethics in the Media.
Behind headlines on the conflict in Iraq and global terrorism, a much deeper battle is raging over children and the values they should adopt. Political and religious leaders including Blair and Bush have been joined the popular press in Enlightenment-bashing and bitter attacks on “liberal parenting,” calling for a return to authority and religious tradition. How do we raise good children? How do we make good citizens? In defiant yet acute fashion, Stephen Law urges us to re-evaluate the liberal tradition of thinking about morality. Tackling authoritarian rhetoric head-on, he argues that children should learn about right and wrong and respect for others, but that their education should be grounded in the hard-won values of the Enlightenment. Taking on neo-conservatives and religious and media commentators, The War for Children’s Minds is a candid and controversial call for a liberal, philosophically informed approach to raising children. Rejecting accusations that liberal parenting is aSixties hangover that entails an aimless “whatever” attitude to morality, Stephen Law exposes the weaknesses of arguments calling for a return to authoritarian styles of moral education. He clearly shows that thinking for oneself does not mean that all moral points of view are equally good, or that we must reject faith in order to think freely. A staunch defence of the humane, liberal life The War for Children’s Minds is a much-needed guide to an urgent moral conundrum.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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