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This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world’s literature.
For decades, the horror genre has been a major popular entertainment and has dominated the publishing and film industries. Yet there exists no philosophical examination of the genre – the time for its aesthetic analysis is ripe. Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a “transmedia” phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those “paradoxes of the heart” that make us want to be horrified?
If globalization is to be a benefit and not a burden to humankind, it must be governed by global institutions that are perceived by all people to be democratic and just. But before we can create such institutions, we must imagine them, and that requires a rethinking and extension of normative political theory. Global Justice and Transnational Politics encourages and advances that work.The book’s first part, “Weak Universalism,” contains essays by Amartya Sen and Leif Wenar that offer constructive developments of John Rawls’s statement of the principles a liberal polity might reasonably propose to govern its relations with other peoples. The second part, “Strong Universalism and Transnational Commitments,” contains essays by Jurgen Habermas, David Luban, Martha Nussbaum, and Thomas Pogge examining the normative sources and possible types of cross-border commitments. In the third part, “Transnational Politics and National Identities,” Habermas discusses the possibility of a democratic political order developing within the institutional framework of the European Union; Thomas McCarthy draws on Kant to show how cosmopolitanism might be reconciled with the legacy of nationalism; and Craig Calhoun tries to retrieve a positive aspect of the tradition of nationalism, namely that it provides large populations with a powerful way of imagining political community across space and time.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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