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In The Ethics of Romanticism Laurence Lockridge vigorously revives ethical criticism and at the same time brings to light the Romantics’ profound engagement with ethical questions. He argues that a will to value is the pervasive motive of Romantic writers from Blake, Wordsworth, Coleridge and De Quincey to Shelley, Hazlitt, Keats and Byron. They articulate a compelling ethics that has had a significant influence on modern thought. Yet its character has never before been systematically explored within the larger contexts of European thought. Lockridge argues that a focus on the ethical dimension of literature is the single most powerful strategy for structuring a writer’s work as a whole, and that it can even prove congenial. He gives original, interrelated readings of the eight major British Romantic writers. In discussing the place of ethical criticism in modern letters, he qualifies or refutes opposing views – conservative, Marxist, and deconstructive. His book gives strong evidence of one direction criticism might fruitfully take in future years.
This book is a major work in the history of ethics, and provides the first study of early modern British philosophy in several decades. Professor Darwall discerns two distinct traditions feeding into the moral philosophy of the seventeenth and eighteenth centuries. On the one hand, there is the empirical, naturalist tradition, comprising Hobbes, Locke, Cumberland, Hutcheson, and Hume, which argues that obligation is the practical force that empirical discoveries acquire in the process of deliberation. On the other hand, there is the group including Cudworth, Shaftesbury, Butler, and in some moments Locke, which views obligation as inconceivable without autonomy and which seeks to develop a theory of the will as self-determining.
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