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بایگانی‌های B809.2 .C745 2010 - خانه اخلاق پژوهان جوان
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Ethical Conflicts in Psychology

by Donald N. Bersoff

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Subject: Psychologists/ Professional Ethics, Psychology/ Moral And Ethical Aspects,

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Nature of Truth

by Michael P. Lynch

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Subject: Philosophy / Epistemology, Philosophy / General, Philosophy / History & Surveys / General, Truth,

“What is truth?” has long been the philosophical question par excellence. The Nature of Truth collects in one volume the twentieth century’s most influential philosophical work on the subject. The coverage strikes a balance between classic works and the leading edge of current philosophical research.The essays center around two questions: Does truth have an underlying nature? And if so, what sort of nature does it have? Thus the book discusses both traditional and deflationary theories of truth, as well as phenomenological, postmodern, and pluralist approaches to the problem. The essays are organized by theory. Each of the seven sections opens with a detailed introduction that not only discusses the essays in that section but relates them to other relevant essays in the book. Eleven of the essays are previously unpublished or substantially revised. The book also includes suggestions for further reading.Contributors:Linda Martin Alcoff, William P. Alston, J. L. Austin, Brand Blanshard, Marian David, Donald Davidson, Michael Devitt, Michael Dummett, Hartry Field, Michel Foucault, Dorothy Grover, Anil Gupta, Martin Heidegger, Terence Horgan, Jennifer Hornsby, Paul Horwich, William James, Michael P. Lynch, Charles Sanders Pierce, Hilary Putnam, W. V. O. Quine, F. P. Ramsey, Richard Rorty, Bertrand Russell, Scott Soames, Ernest Sosa, P. F. Strawson, Alfred Tarski, Ralph C. Walker, Crispin Wright.

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Narrative Ethics

by Adam Zachary Newton

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Subject: Ethics In Literature, Ethics, Modern, Fiction, Narration (Rhetoric),

The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts.Newton’s fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses–an elegant bridge between philosophy’s ear and literary criticism’s voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

محبوب ترین موضوعات

نتایج برای : B809.2 .C745 2010
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