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Religion is a dominant force in the lives of many Americans. It animates, challenges, directs and shapes, as well, the legal, political, and scientific agendas of the new Age of Biotechnology. In a very real way, religion, biomedical technology and law are – epistemologically – different. Yet, they are equal vectors of force in defining reality and approaching an understanding of it. Indeed, all three share a synergetic relationship, for they seek to understand and improve the human condition. This book strikes a rich balance between thorough analysis (in the body), anchored in sound references to religion, law and medical scientific analysis, and a strong scholarly direction in the end notes. It presents new insights into the decision-making processes of the new Age of Biotechnology and shows how religion, law and medical science interact in shaping, directing and informing the political processes. This volume will be of interest to both scholars and practitioners in the fields of religion and theology, philosophy, ethics, (family) law, science, medicine, political science and public policy, and gender studies. It will serve as a reference source and can be used in graduate and undergraduate courses in law, medicine and religion.
“What implications do recent empirical findings from the fields of biology, primatology, anthropology, psychology and history have for metaethical theories about moral objectivity? I defend the thesis that these findings detract from the plausibility of a realist account of moral objectivity but leave room for a more moderate, antirealist account of objectivity, framed in terms of stance-invariance. The dissertation consists of six articles written for publication in academic journals. In these articles I present two novel, empirically informed challenges to moral realism, and point out some shortcomings of existing challenges. One of the novel challenges builds on the second horn of Sharon Street’s ‘Darwinian Dilemma’, according to which moral realists are committed to an implausible evolutionary hypothesis, and extends this criticism to the historical realm. The other novel challenge is fuelled by theoretical and experimental work in moral psychology, and takes issue with the presumed advantages of moral realism in explaining the qualities of our moral experience. Apart from criticizing moral realism, I also develop and defend an alternative account of moral objectivity in antirealist terms and argue that it is as least as successful as a realist account in capturing the objectivist commitments of ordinary moral discourse.”– Page 14.
“This popular and classic text chronicles America’s roller-coaster journey through the decades since World War Two. Considering both the paradoxes and the possibilities of postwar America, William H. Chafe portrays the significant cultural and political themes that have colored our country’s past and present, including issues of race, class, gender, foreign policy, and economic and social reform. In this new edition, Chafe provides a nuanced yet unabashed assessment of George W. Bush’s presidency, covering his reelection, the saga of the Iraq War, and the administration’s response to the widespread devastation of Hurricane Katrina.”–BOOK JACKET.
This book combines ancient, modern, and postmodern resources to argue that moral life and thought are inherently and radically creative. Human beings are called by their own primordially created depths to exceed historical evil and tragedy through the ongoing creative transformation together of their world. This creative capability can be understood in its fullest dimensions only as a religious or mythological affirmation of humanity as an image of its Creator. This thesis challenges Greek and biblical separations of ethics and poetic image-making, as well as contemporary conceptions of moral life as grounded in fixed principles or preconstituted traditions. It instead recasts a range of mythic, prophetic, and tragic resources to uncover moral life’s poetics, tension, dynamism, catharsis, disruptiveness, excess, and impossible possibility for renewal. The book takes as its starting point a critical reading of the hermeneutical poetics of the will of Paul Ricoeur, and from there enters into a range of conversations with Aristotle and contemporary Aristotelianism, Immanuel Kant and modernism, and current Continental, narrative, liberationist, and feminist ethics such as in Emmanuel Levinas, Richard Kearney, Martha Nussbaum, Jürgen Habermas, Gustavo Gutiérrez, Luce Irigaray, and Sallie McFague. In the process, it develops a meta-ethical phenomenology of moral creativity along the lines of four increasingly complex dimensions: ontology (creativity of the self), teleology (positive creativity of narrative goods), deontology (negative creativity in response to otherness), and social practice (mixed creativity between plural others in society). Moral creativity is in the end an original and necessary religious capability for responding anew to the tensions within and between selves in the world by forming over time, in love and hope, an ever more radically inclusive humanity.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
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بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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