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The articles in this volume dedicated to Hans Daiber, one of the pioneering scholars in the history of Islamic thought in the Middle Ages, offer new insights into this field from a variety of perspectives: philological, philosophical, and historical.
Today abortion is America’s most contentious political and religious rallying point. Yet 150 years ago it was a virtual non-issue, quietly performed for centuries by women and mid-wives. What changed? This thought-provoking reference work explores the evolution of America’s abortion debate in a balanced selection of over 40 primary documents by doctors, feminists, religious leaders, politicians, extremists, and judges from the 19th century to the present day. This guide not only examines the key laws and court cases, like Roe v. Wade and the Partial Birth Abortion Ban, that have determined abortion policy, but offers insight into America’s changing attitudes towards women, race, the medical field, and the role of government in its citizens’ personal lives. Memoirs of early abortion providers, excerpts from popular women’s self-help books, the complete text of Pope Paul VI’s Humanae Vitae, and personal writings from key liberal and conservative figures on both sides of the debate provide a more complete picture of an issue that is deeply personal, deeply divisive, and anything but clear-cut. A straightforward and accessible book, ideal for both students and general readers looking to expand their understanding of one of the most complicated, and still unresolved, issues of our day. Documents are presented in easy-to-use chronological order, divided into 7 chapters exploring the various eras of the abortion debate. Chapter 1: (19th century) The state’s minimal role in abortions, the nascent women’s movement, and a medical movement to restrict abortion provision. Chapter 2: (1905 – 1960) America’s strictest era of abortion policy. The ideology of motherhood vs. post-suffrage women’s desire to control their fertility. Chapter 3: (1965-1971). Voices for decreased abortion restrictions and tragic consequences of illegal abortions. Chapter 4: (1973 – 983) Results of and immediate academic responses to the movement to liberalize abortion policy. Chapter 5: (1984 -1989) The growing role of political parties in abortion politics. Chapter 6: (1991-1996) The movement to protect the fetus. Chapter 7: (2001-2005) Impact of the fetal rights movement and successes in restricting abortion access. Each excerpt is preceded by a brief explanation of its significance and followed by author analysis to help readers understand its implications and the historical context in which is it was written. Readers gain direct access to America’s most important legal papers and transcripts on abortion, complimented by a well rounded view of the public beliefs and sentiments that have fueled abortion debates. Suggestions for further reading conclude each chapter, perfect for research or to guide interested readers in their search for material. The front matter includes a Timeline of major events in abortion history, and the back matter, offers a Bibliography of 50 titles on abortion and over 30 Web links.
The Ethics of Aesthetics in Japanese Cinema and Literatureis a study of the ethics of modern Japanese aesthetics from the 1930s, through WWII and into the postwar period. What makes this book unique is that Nina Cornyetz opens up the field in new and controversial ways by exploring the tensions and harmonies between psychoanalytic ethics of the drive and socio-political ethics of relation to the other. Rejecting the convention of viewing these as contradictory, Cornyetz insists that the exemplars of psychoanalytic ethics are to the contrary, simultaneously politically ethical. Cornyetz embarks on innovative and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, including works by Kawabata Yasunari, Mishima Yukio, Abe Kôbô and Shinoda Masahiro, all renowned for their texts’ aesthetic and philosophic brilliance. The study looks at how relations between individuals and communities in these texts either reiterate or transcend stereotypes, andhow desire is or is not limited by sociocultural norms. Cornyetz argues that these authors’ and filmmakers’ concepts of beauty and relation to others were, in fact, deeply impacted by political and social factors. Ranging from a discussion of fascist aesthetics to heterosexism in modern Japan,The Ethics of Aesthetics in Japanese Cinema and Literatureshows how certain changing political, intellectual and artistic issues, as well as sociocultural norms, variously nuanced these texts’ depictions of desire and the ‘other’. Through her analysis of cultural texts such as the filmsWoman in the DunesandDouble Suicide, Cornyetz challenges the convention that praises the universality of their artistic, existential or intellectual achievements. Rather she seeks to reorient these within a specifically Japanese historical context to give a new and insightful interpretation to the work. This ground breaking study is truly interdisciplinary and will appeal to students and scholars of Japaneseliterature, film, gender, culture, history and even psychoanalytic theory.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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