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بایگانی‌های 2454 - خانه اخلاق پژوهان جوان
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Moral Understandings

by William H. Chafe

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Subject: History,

“This popular and classic text chronicles America’s roller-coaster journey through the decades since World War Two. Considering both the paradoxes and the possibilities of postwar America, William H. Chafe portrays the significant cultural and political themes that have colored our country’s past and present, including issues of race, class, gender, foreign policy, and economic and social reform. In this new edition, Chafe provides a nuanced yet unabashed assessment of George W. Bush’s presidency, covering his reelection, the saga of the Iraq War, and the administration’s response to the widespread devastation of Hurricane Katrina.”–BOOK JACKET.

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Responsibility and Atonement

by Richard Swinburne

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Subject: Atonement, Man (Christian Theology), Responsibility,

According to how we treat others, we acquire merit or guilt, deserve praise or blame, and receive reward or punishment, looking in the end for atonement. In this study distinguished theological philosopher Richard Swinburne examines how these moral concepts apply to humans in their dealings with each other, and analyzes these findings, determining which versions of traditional Christian doctrines–sin and original sin, redemption, sanctification, and heaven and hell–are considered morally acceptable.

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Forgiveness Other Acts of Love

by Stephanie Dowrick

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Subject: Forgiveness, Virtues,

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Narrative Ethics

by Adam Zachary Newton

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Subject: Ethics In Literature, Ethics, Modern, Fiction, Narration (Rhetoric),

The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts.Newton’s fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses–an elegant bridge between philosophy’s ear and literary criticism’s voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

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