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The Routledge Companion to Philosophy and Filmis the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companionfeatures sixty specially commissioned chapters from international scholars and is divided into four clear parts: ⬢ issues and concepts ⬢ authors and trends ⬢ genres ⬢ film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including Memento. Each chapter includes a section of annotated further reading and is cross-referenced to related entries. The Routledge Companion to Philosophy and Filmis essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies.
Few thinkers are more controversial in the history of philosophy than Hegel. He has been dismissed as a charlatan and obscurantist, but also praised as one of the greatest thinkers in modern philosophy. No one interested in philosophy can afford to ignore him. This volume considers all the major aspects of Hegel’s work: epistemology, logic, ethics, political philosophy, aesthetics, philosophy of history, philosophy of religion. Special attention is devoted to problems in the interpretation of Hegel: the unity of the Phenomenology of Spirit; the value of the dialectical method; the status of his logic; the nature of his politics. A final group of chapters treats Hegel’s complex historical legacy: the development of Hegelianism and its growth into a left and right wing school; the relation of Hegel and Marx; and the subtle connections between Hegel and contemporary analytic philosophy.
Adam Smith and the Circles of Sympathy pursues Adam Smith’s views on moral judgement, humanitarian care, commerce, justice and international law both in historical context and through a twenty-first century cosmopolitan lens, making this a major and timely contribution not only to Smith studies but also to the history of cosmopolitan thought and to contemporary cosmopolitan discourse itself. Forman-Barzilai breaks new ground, demonstrating the spatial texture of Smith’s moral psychology and the ways he believed that physical, affective and cultural distance constrain the identities, connections and ethical obligations of modern commercial people. Forman-Barzilai emphasises his resistance to the sort of relativism, moral insularity and cultural chauvinism that too often accompany localist critiques of cosmopolitan thought today. This is a timely, revisionist study that integrates the perspectives of intellectual history, moral philosophy, political theory, cultural theory, international relations theory and political economy, and will appeal across the humanities and social sciences.
This book is the first full length account of the significance of MacIntyre’s work for the social sciences. MacIntyre’s moral philosophy is shown to provide the resources for a powerful critique of liberalism. His discussion of the managerist and emotivist roots of modern culture is seen as the inspiration for a critical social science of Modernity.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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