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Book Summary of Moral RealityWe typically assume that the standard for what is beautiful lies in the eye of the beholder. Yet this is not the case when we consider morality; what we deem morally good is not usually a matter of opinion. Such thoughts push us toward being realists about moral properties, but a cogent theory of moral realism has long been an elusive philosophical goal. Paul Bloomfield here offers a rigorous defense of moral realism, developing an ontology for morality that models the property of being morally good on the property of being physically healthy. The model is assembled systematically; it first presents the metaphysics of healthiness and goodness, then explains our epistemic access to properties such as these, adds a complementary analysis of the semantics and syntax of moral discourse, and finishes with a discussion of how we become motivated to act morally. Bloomfield closely attends to the traditional challenges facing moral realism, and the discussion nimbly ranges from modern medical theory to ancient theories of virtue, and from animal navigation to the nature of normativity. Maintaining a highly readable style throughout, Moral Reality yields one of the most compelling theories of moral realism to date and will appeal to philosophers working on issues in metaphysics or moral philosophy.
This anthology presents the best recent philosophical analyses of moral, political, and legal responsibility of groups and their members. Motivated by reflection on such events as the Holocaust, the exploding Ford Pintos, the My Lai massacre, and apartheid in South Africa, the essays consider two important questions: What collective efforts could have prevented these large-scale social harms? And is some group to blame and, if so, how is blame to be apportioned? Contributors:
This collection of essays, memoirs, poems, stories, and artwork looks at globalization as a worldwide exchange of art and ideas. Writing the World focuses on the cultural realities of globalism—the opportunities it provides to learn from other cultures. This knowledge, argue David Rothenberg and Wandee Pryor in their introduction, can be power: “When all of us learn enough about our differences to respect the diversity that exists, we will be unable to pretend we are the same. We will never accept the old innocence and ignorance bred by oppression and exploitation.” For the contributors to Writing the World, to dream of the global village is to see the world not as a vast market but as a place of shared values and linked wonder.”It is time to listen to the many literate voices the world speaks,” say Rothenberg and Pryor. The voices of Writing the World range from Arundhati Roy on the “colonization of knowledge” in her essay “The Ladies Have Feelings, So… Shall We Leave It to the Experts?” to Naomi Klein’s meditation on fences, ownership, and property. They include Bill McKibben on women farmers in Bangladesh, Hannes Westberg’s account of being shot by Swedish police at a demonstration, James Barilla on invading and indigenous plant species in “The Aliens in the Garden,” and many other vivid, compelling, and provocative writings that celebrate—and illustrate—”the poetry of cultural contact.” Artists and photographers whose work appears in the book include Adam Clayman, Jenny Matthews, Richard Robinson, and Arpita Singh.
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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