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After World War II, U.S. policy experts–convinced that unchecked population growth threatened global disaster–successfully lobbied bipartisan policy-makers in Washington to initiate federally-funded family planning. In Intended Consequences, Donald T. Critchlow deftly chronicles how the government’s involvement in contraception and abortion evolved into one of the most bitter, partisan controversies in American political history. The growth of the feminist movement in the late 1960s fundamentally altered the debate over the federal family planning movement, shifting its focus from population control directed by established interests in the philanthropic community to highly polarized pro-abortion and anti-abortion groups mobilized at the grass-roots level. And when the Supreme Court granted women the Constitutional right to legal abortion in 1973, what began as a bi-partisan, quiet revolution during the administrations of Kennedy and Johnson exploded into a contentious argument over sexuality, welfare, the role of women, and the breakdown of traditional family values. Intended Consequences encompasses over four decades of political history, examining everything from the aftermath of the Republican “moral revolution” during the Reagan and Bush years to the current culture wars concerning unwed motherhood, homosexuality, and the further protection of women’s abortion rights. Critchlow’s carefully balanced appraisal of federal birth control and abortion policy reveals that despite the controversy, the family planning movement has indeed accomplished much in the way of its intended goal–the reduction of population growth in many parts of the world. Written with authority, fresh insight, and impeccable research, Intended Consequences skillfully unfolds the history of how the federal government found its way into the private bedrooms of the American family.
Egalitarianism, the view that equality matters, attracts a great deal of attention amongst contemporary political theorists. And yet it has turned out to be surprisingly difficult to provide a fully satisfactory egalitarian theory. The cutting-edge articles in Egalitarianism move the debate forward. They are written by some of the leading political philosophers in the field.
With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant’s theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Crowther’s arguments center on the links which Kant makes between morality and aesthetics, and seek ultimately to modify Kant’s approach in order to establish the sublime as a viable aesthetic concept with a broader cultural significance.
Copyright, Contracts, Creators presents an exhaustive and thoroughly researched and documented treatment of copyright protection for independent authors, or freelancers. AALL Spectrum This hardback publication is an interesting exposition on the application of copyright law to the protection of the rights of freelancers. . . Within this subject the book is thoroughly and professionally written and easy to read. It would actually serve as a good introduction to the application of copyright law to literary works as it contains some useful summaries of current law particularly in the UK and the United States. . . If you are interested in copyright law as it applies to author such as freelancers, or just generally want to learn more about the exploitation of copyright works in the digital age I thoroughly recommend this book. Clive Davies, Communications Law . . . deserves the widest possible circulation. . . . much of what [D Agostino] outlines and the solutions she suggests should be read by every freelancer, agency, editor and publishers. . . . D Agostino s writing is quite sprightly and she resists the temptation to be mealy-mouthed and obscure about the issues. D.B. Scott, canadianmags.blogspot.com Copyright, Contracts, Creators provides a new and original analysis on the relationship between owners and creators and recommendations for legislative change to re-balance the relationship. It is a must read for the intellectual property legal community and anyone interested in the promotion of creative works. Marshall Rothstein, Justice of the Supreme Court of Canada Dr Giuseppina D Agostino is a protector of the arts, and her work on intellectual property is designed not only to bring law and order to our digital universe but to bring hope to the artists, poets and writers whose only hope of pursuing their artistry is to earn income for their craft. A wonderful book by one of the most wonderful and forward thinking minds in this subject area. Tony Chapman, Founder and CEO, Capital C, Canada Dr D Agostino has produced an important, carefully documented and courageous study that deserves to be widely read and discussed and (dare one say?) even to have its message heeded. David Vaver, Emeritus Professor of Intellectual Property & IT Law, University of Oxford, UK The digital world has put content within arm s reach of desire. No longer can an author be satisfied that her intellectual property is safely encased in a bound book, nor can a photographer know where his work will be displayed or shared, nor can a writer rest assured that her article will be consumed in the intended magazine or newspaper. The Internet-fueled recycling of existing works into new media is the greatest challenge to copyright law. Copyright, Contracts, Creators evaluates the efficacy of current copyright law to address the contracting and use of creative works. It looks in particular at freelance works and argues that their copyright treatment on a national and international level is inadequate to resolve ambiguities in the contracting and uses of the work. Giuseppina D Agostino discusses how historically laws and courts were more sympathetic to creators, and how the Internet revolution has shifted the scales to favor owners. Consequently, creators often find themselves at opposing ends with copyright owners, and in a disproportionately weaker bargaining position that places tremendous strain on their livelihoods. She argues that this predicament puts society at risk of losing its most valued asset: professional creators. The author calls for a new framework to justify legislative provisions and resolve ambiguities while suggesting principles and mechanisms to address the inadequate treatment of freelance work. Scholars and students of law, cultural studies, and intellectual property will find this volume a critical addition to their libraries. Beyond these, policymakers, lawyers and anyone concerned with the blurring lines of intellectual prope
ما از اخلاق چه انتظاری داریم؟ این سوال شاید تاحدودی برای عموم مردم و یا متخصصان این رشته قابل پاسخ باشد؛ اینکه خوب بودن را به ما بیاموزد و در تنظیم روابط فردی م...
جشن کتاب تهران به ایستگاه سی و یکم رسیده است. حال و احوال نشر کتاب خوب نیست و باید فرهنگدوستان را به خرید و هدیه دادن کتاب ترغیب نمود. خانه اخلاقپژوهان جوان ب...
بنیاد کتابهای اخلاق اسلامی عمدتا پالایش جان از آلودگیها و آراستن آن به زیباییها است. اندیشه محوری این قبیل کتابها آن است که انسان فعلی آنی نیست که باید باشد...
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